“...a gifted flute player... Sutherland shines throughout...” John L Walters - THE GUARDIAN"One of the UK’s finest flautists – whether jazz or classical – Rowland Sutherland."Paul Bradshaw - STRAIGHT NO CHASER"There were especially sterling contributions from the flautist Rowland Sutherland."Keith Potter - THE INDEPENDANT“...improviser of real character” John Fordham - THE GUARDIAN“...Sutherland...gutsy improvisations...” Kevin Le Gendre - JAZZWISE“...enriched by Rowland Sutherland's lovely flute sound...” John Fordham - THE GUARDIAN“...the excellent soloist...Rowland Sutherland...” Geoff Brown - THE TIMES“flautist Rowland Sutherland... especially impressive”Nick Jones - THE LEICESTER MERCURY“…which includes the brilliant flautist Rowland Sutherland” Ben Watson - THE WIRE"Peerless flautist Rowland Sutherland."John L. Walters - THE GUARDIAN“...a flautist with one of the nicest sounds in the business...”Time OutZoe Rahman Quintet at Brecon Jazz Festival 2013: "flautist Rowland Sutherland proved a tremendous asset to the line-up; not only in terms of enriching the ensemble sound but through the sheer liquid creativity of his solos."Steph Power - Wales Arts ReviewRowland Sutherland's composition "Enlightenment." Sacred Music, Sacred Spaces concert, "a re-envisioning of John Coltrane's A Love Supreme," at The Chapel, Kings College London, 2012: "Flautist Rowland Sutherland’s inspired vision. Sutherland’s newly composed parts merged seamlessly with Coltrane’s four part work, introducing contemporary soundscapes and ascending lines that gave the flute, sax and bass clarinet top lines ample space to articulate the themes and develop soaring harmonies from this remarkable sound palette, proving just how missed Williamson and Sutherland have been from the contemporary scene. … the audience rapidly found themselves in the presence of a very special, deeply spiritual performance.”Jon Newey - Jazzwise MagazineRowland Sutherland's composition "Enlightenment." Sacred Music, Sacred Spaces concert, "a re-envisioning of John Coltrane's A Love Supreme," at The Chapel, Kings College London, 2012: "there have been surprisingly few attempts to really explore and experiment with Coltrane's inspired vision in its totality… Tonight's performance is to be one of the first to really attempt that. And as the first powerful wave of the full ensemble rises up to disturb the calm of this most peaceful setting, the respect for Coltrane's original work is clearly matched by the same kind of inquisitive search he pursued. … newly composed parts from Sutherland combine with the original themes to stunning effect.”Andy Thomas - The Quietus